The History of One Portrait: Maksym Rylskyi and Zynoviy Tolkachov von H. Skliarenko

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New Features of Transcarpathian Art School:Pavlo Bedzir, Yelyzaveta Kremnytska, Ferents Seman von H. Skliarenko

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Interpretation Peculiarities of the Impressionistic Trends in Ukrainian Art von H. Skliarenko

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Florian Yuryev Works and New Dimensions of Artistic Synthesis von H. Skliarenko

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Ukrainian Art of the Second Half of the XX th Century: Formalism vs Nonformalism, Conformism vs Nonconformism (Issues of Interpreting Artistic Experience) von H. Skliarenko

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Futurism in Ukraine: Stages and Trends von H. Skliarenko

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Kharkiv Artist Vagrich Bakhchanyan as an Inception of Domestic Conceptualism von H. Skliarenko

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Malevych in Ukraine in the Late 1920s – Early 1930s von H. Skliarenko

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Art on Pages of Nova Heneratsiya von H. Skliarenko

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Transcarpathian School of Painting and the Return to Modernism in the 1960s Ukrainian Art von H. Skliarenko

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Interpreting Taras Shevchenko's heritage in the context of Ukrainian art of the 20th century von H. Skliarenko

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Creative Work of Serhii Pustoviit (One of the Soviet Retro Tendencies) von H. Skliarenko

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Etymological Studies von V. H. Skliarenko

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The derivational reconstruction of Common Slavic lexis (suffixless verbs). 2 von V. H. Skliarenko

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The derivational reconstruction of Common Slavic lexis (suffixless verbs).1 von V. H. Skliarenko

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"Dark places" in "The Lay of Ihor's Host". 15 von V. H. Skliarenko

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On the "Rus'ian letters" mentioned in the biography of Constatine the Philosopher von V. H. Skliarenko

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The origin of Rus von V. H. Skliarenko

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Etymological studies von V. H. Skliarenko

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Dark places in "The Lay of Ihor's Host" von V. H. Skliarenko

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