Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна

The Early Holocene complex of Layer 4 at the Fatma Koba is associated with a change from the Shpan Koba to the Murzak Koba culture. The change is marked by the appearance of pressure lamellar technology. The beginning of the transformation relates to the migration of Darkveti population from the Sou...

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Veröffentlicht in:Археологія
Datum:2026
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ISSN:2616-499X
Автори та афіліації:
  • V. O. Manko — PhD, Senior Researc Fellow, the Institute of Archaeology of the National Academy of Sciences of Ukraine, the Department of Archaeology of the Crimea and North-Western Black Sea
  • S. A. Telizhenko — PhD, Senior Researcher, the Institute of Archaeology of the National Academy of Sciences of Ukraine, the Department of Archaeology of the Crimea and North-Western Black Sea
Hauptverfasser: Manko, V. O., Telizhenko, S. A.
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Sprache:Englisch
Veröffentlicht: Institute of Archaeology NAS of Ukraine 2026
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Chemistry, Physics and Technology of Surface
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author Manko, V. O.
Telizhenko, S. A.
author_facet Manko, V. O.
Telizhenko, S. A.
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description The Early Holocene complex of Layer 4 at the Fatma Koba is associated with a change from the Shpan Koba to the Murzak Koba culture. The change is marked by the appearance of pressure lamellar technology. The beginning of the transformation relates to the migration of Darkveti population from the South Caucasus. It is significant that the change in the technology of knapping did not lead to a change in the typology of the complex of modified pieces.
doi_str_mv 10.15407/archaeologyua2026.01.005
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fulltext НАЦIОНАЛЬНА АКАДЕМIЯ НАУК УКРАЇНИ • IНСТИТУТ АРХЕОЛОГIЇ НАН УКРАЇНИ НАУКОВИЙ ЖУРНАЛ – ЗАСНОВАНИЙ У 1947 р. ВИДАЄТЬСЯ ЩОКВАРТАЛЬНО КИЇВ 1  2026 АРХЕОЛОГIЯ Головний редактор ЧАБАЙ В. П., член-кореспондент НАН України, Iнститут археологiї НАН України Редакцiйна колегiя БОЛТРИК Ю. В. – кандидат історичних наук, Інститут археології НАН України БУЙСЬКИХ А. В. – доктор історичних наук, Інститут археології НАН України ГАРДІ С. Е. – PhD, Альянс для боротьби зі злочинністю в інтернеті, Велика Британія ДЖІНДЖАН Ф. – професор, доктор хаб., Університет Сорбонни, Париж-1, Франція ЗАЛІЗНЯК Л. Л. – професор, доктор історичних наук, Інститут археології НАН України КАЙЗЕР Е. – професор, доктор хаб., Вільний університет Берліна, Німеччина МОТУЗАЙТЕ МАТУЗЕВІЧУТЕ (КІН) Ґ. – професор, PhD, Вільнюський університет, Литва ОТРОЩЕНКО В. В. – професор, доктор історичних наук, Інститут археології НАН України ПЛАВІНСЬКИЙ М. О. – кандидат історичних наук, Варшавський університет, Польща ПОТЄХІНА І. Д. – кандидат історичних наук, Інститут археології НАН України, Україна РАБІНОВІЦ А. – PhD, Техаський університет в Остіні, Сполучені штати Америки ФОРНАСЬЄ Й. – професор, доктор, Галле-Віттенбергський університет імені Мартіна Лютера, Німеччина ШЕВЧЕНКО Т. М. – кандидат історичних наук, Інститут археології НАН України (відповідальний секретар) ШНЕЕВАЙС Є. – доктор хаб., Центр археології Ляйбніца, Німеччина NATIONAL ACADEMY OF SCIENCES OF UKRAINE • INSTITUTE OF ARCHAEOLOGY NAS OF UKRAINE SCIENTIFIC JOURNAL – FOUNDED IN 1947 FREQUENCY: QUARTERLY Editor-in-Chief CHABAI V. P., Corresponding Member of the NAS of Ukraine, Institute of Archaeology of the National Academy of Sciences of Ukraine Editorial Board BOLTRYK Yu. V. – PhD in History, Institute of Archaeology NAS of Ukraine BUISKYKH A. V. – DSc., Institute of Archaeology NAS of Ukraine DJINDJIAN F. – Professor, Dr. Hab., University of Paris 1 Pantheon Sorbonne, France FORNASIER J. – Professor, Ph.D., Martin Luther University Halle-Wittenberg, Germany MOTUZAITĖ MATUZEVIČIŪTĖ (KEEN) G. – Professor, Ph.D., Vilniaus universitetas, Lithuania HARDY S. A. – PhD., Alliance to Counter Crime Online, United Kingdom KAISER E. – Professor, Dr. Hab., Institute of Prehistoric Archaeology Freie Universität Berlin, Germany OTROSHCHENKO V. V. – Professor, DSc., Institute of Archaeology NAS of Ukraine PLAVINSKI M. O. – PhD in History, University of Warsaw, Poland POTEKHINA I. D. – PhD in History, Institute of Archaeology of the NAS of Ukraine RABINOWITZ A. – PhD in Classical Archaeology, The University of Texas at Austin, USA SHEVCHENKO T. M. – PhD in History, Institute of Archaeology NAS of Ukraine (Executive Secretary) SCHNEEWEISS J. – Dr. Hab., Leibniz-Zentrum für Archäologie, Germany ZALIZNIAK L. L. – Professor, DSc., Institute of Archaeology NAS of Ukraine ARHEOLOGIA KYIV 1  2026 ЗМIСТ CONTENTS Articles MANKO V.  O., TELIZHENKO  S.  A. Flint Artefacts of Layer 4 at the Fatma Koba Site, Cimea, Ukraine PUKLINA O.  O. Painted Glassware from Olbia Pontica SIKOZA D.  M. Hun Assemblage from the Dnipro River Lower Region AKSIONOV V.  S. Catacombs of a Specific Type within the Verkhnii Saltiv Necropolis Publications of Archaeological Materials LYSENKO S.  D., LYSENKO  S.  S. Late Bronze and Early Iron Age Assemblages of the Voitsekhivka Cemetery (based on research of 2013) CHECHULINA I. O. Black-Glazed Ware in the Col- lection of Classical Antiquities of the Altes Museum (Berlin, Germany): Perspectives from the Northern Black Sea Region SAVELIEVA K. S., SAVELIEV O. K. Lamps from the Roman Citadel of Tyras Статтi МАНЬКО В. О.,  ТЕЛІЖЕНКО С. А. Крем’яний комплекс шару  4 стоянки Фатьма Коба, Крим, Україна ПУКЛІНА О. О. Розписний скляний посуд з Ольвії Понтійської СІКОЗА Д.  М. Комплекс гунського часу з пониззя Дніпра АКСЬОНОВ В.  С. Катакомби особливого типу Верхньосалтівського некрополя Публiкацiї археологiчних матерiалiв ЛИСЕНКО С. Д., ЛИСЕНКО С. С. Комплекси кінця пізнього бронзового та ранього залізного віку Войцехівського могильника (за матеріалами досліджень 2013 р.) ЧЕЧУЛІНА І. О. Чорнолаковий посуд у зібранні античної колекції Старого музею (Берлін, Ні- меччина): погляд із Північного Причорномор’я САВЕЛЬЄВА К. С., САВЕЛЬЄВ О. К. Світиль- ники з римської цитаделі Тіри 5 18 28 46 65 92 106 До iсторiї стародавнього виробництва БУЦЬКИЙ І.  М., МИШУСТА О.  В. Тех- нологічні традиції виготовлення кераміки населення фіналу доби бронзи в басейні р. Самара Iсторiя науки ПОПЕЛЬНИЦЬКА О.  О. Кремінний нако- нечник дротика доби бронзи з Криму To the History of Ancient Crafts BUTSKYI I. M., MYSHUSTA O. V. Technologi- cal Traditions of Ceramics Production of the Final Bronze Age Population in the Samara River Basin History of Science POPELNYTSKA O. O. A Bronze Age Flint Dart Point from Crimea 125 142 ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 5 Статтi УДК: 903.4-032/577(477.75)”632” https://doi.org/10.15407/arheologyua2026.01.005 ©  MANKO Valerii Oleksandrovych, 2026  — PhD, Senior Researc Fellow, the Institute of Archaeology of the National Academy of Sciences of Ukraine, the Department of Archaeology of the Crimea and North-Western Black Sea, ORCID: 0000-0002-2990-7234, Valery_Manko@ yahoo.com © TELIZHENKO Serhii Anatoliyovych, 2026 — PhD, Senior Researcher, the Institute of Archaeology of the National Academy of Sciences of Ukraine, the Department of Archaeology of the Crimea and North-Western Black Sea, ORCID: 0000-0003-1677-4900, telizharh@hotmail.com © Інститут археології НАН України, 2026 FLINT ARTEFACTS OF LAYER 4 AT THE FATMA KOBA SITE, CRIMEA, UKRAINE V. O. MANKO, S. A. TELIZHENKO research. Usually, only the initial and final phases of development can be described, while the transition from one phase to another occurs so quickly that it remains elusive for archaeologists. This circum- stance makes the flint complex from Layer 4 of the Fatma Koba site even more valuable. The main objective of this article is to investigate the origins of the Murzakobian industry and to demonstrate a potential connection with flaked stone industries of Asia Minor and the Caucasus. History of Research The Fatma-Koba site was discovered in 1927 by S. О. Trusova and S. М. Bibikov in the Mountain Crimea, under a rock shelter on the bank of the Kubular-Dere stream (fig. 1). The first excavations were carried out in the same year by H. A. Bonch- Osmolovskyi, who attributed the industries of Lay- ers  4, 3, and 2 at Fatma-Koba to the Tardenoisian (Бонч-Осмоловский 1934). This attribution had nothing to do with the cultural specificity of flint complexes, but rather reflected the author’s adherence to the stadial theory of Stone Age development. Based on stratigraphic data (Бибиков, Станко, Коен 1994, tabl. XXIV–XXVI), H. A. Bonch-Os- molovskyi subdivided Layer 4 into three condition- al horizons (4.3, 4.2, and 4.1). Unfortunately, the assemblages obtained were not sufficiently repre- sentative. Nevertheless, it should be noted that the asymmetrical triangles were only found in Lay- er 4.2, which is considered diagnostic of the Murzak Koba culture. Further excavations were carried out in 1956–1958 by S. M. Bibikov (Бибиков 1966). Unfortunately, during the excavation, Layer  4 of Fatma Koba could not be divided into horizons as those defined earlier by Bonch-Osmolovskyi. D. Ya. Telehin was a supporter of the so-called Mountain Crimean culture (Shan Koba and Murzak Koba cultures as manifestations of a single cultural phenomenon) (Телегін 1982). Within this framework, the complexes of Layer 4 of Fatma-Koba were inter- The Early Holocene complex of Layer 4 at the Fat- ma Koba is associated with a change from the Shpan Koba to the Murzak Koba culture. The change is marked by the appearance of pressure lamellar tech- nology. The beginning of the transformation relates to the migration of Darkveti population from the South Caucasus. It is significant that the change in the technology of knapping did not lead to a change in the typology of the complex of modified pieces. Key words: Crimea, Early Holocene, Trialeti indus- try, pressure lamellar technology, asymmetric trian- gles, bipolar retouch, migrations, networks. It has always been challenging to explain new cultural phenomena in prehistory. Archaeological cultures often appear to arise spontaneously. The origin of the Murzak Koba culture has also been discussed in different ways, with some researchers arguing for an autochthonous development, while others emphasise migration processes. In this regard, the materials from Lay- er 4 of the Fatma Koba site offer an opportunity to observe the transformation of one archaeological phenomenon into another in detail. This article, therefore, will present the flaked flint items found in this layer and will systematically discuss techno- logical and typological characteristics. The assem- blage can be interpreted as a transitional industry, a phenomenon that is exceptional in archaeological This is an Open Access article under the CC BY-NC-ND 4.0 license https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.en ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 16 preted as representing only a “Murzakkobian phase” of the Mountain Crimean culture. Following the publication of the monograph The Final Palaeolithic and Mesolithic of the Mountain Crimea (Бибиков, Станко, Коен 1994), the term “Murzak Koba culture” became generally accepted among Eastern European archaeologists. The authors further subdivided this culture into two facies  — Points Tardenoisian and Ordinary Tardenoisian  — and assigned the assemblage of Layer  4 from Fatma-Koba to the former. This interpretation is problematic because geometric microliths are, in fact, the main type of arrowhead. More recently, O.  O.  Yanevych characterised Layer 4 of Fatma-Koba as a mixed layer containing artefacts associated with both the Shan Koba and Murzak Koba cultures (Яневич 2019). The layer was dated to the Boreal period, an interpretation with which we agree. Methods and Terminology In this publication, we use the terms Shpan Koba and Murzak Koba cultures. At the same time, the term Trialetian is used to refer to both cultural enti- ties (Manko, Chkhatarashvili 2022). Our research is based on a combined typological and technological analysis. Particular emphasis is placed on the technological methodology related to the production of blades, bladelets, and microblades, which are especially informative for the analysis of the flint complex from Layer 4. The inhabitants of the site employed both direct percussion and pressure lamellar core reduction strategy. Accordingly, the question of the cultural homogeneity of the complex is of great importance. The complexity of modified pieces was analysed separately for each technological group. Comparison of the results allowed us to assess the lithic assemblage of the complex as relatively homogeneous. The criteria for pressure flaking can- not be determined through measurement or statisti- cal analysis. The only objective technological crite- rion is the angle at which force is applied to obtain laminar pieces. Pressure flaking methods enable lam- inar pieces to be obtained from surfaces positioned at obtuse angles to the force application axis. How- ever, this criterion has very limited application. Typ- ically, pressure laminar pieces were obtained using methods that did not require such sophisticated tech- niques. The angle between the force application vec- tor and the platform was usually 60°. Therefore, var- ious measurements are meaningless when it comes to determining the criteria of pressure flaking. Visu- al determination is the only possible method. Thin, slightly curved laminar pieces have parallel edges and ridges. This circumstance enables artefacts asso- ciated with pressure flaking to be identified with vir- tually no margin of error. The attribution of the Layer 4 complex to the Trialetian industry made it necessary to consider the synchronous development of this industry in Asia Minor, the southern, eastern, and western shores of the Caspian Sea, as well as in the southern Caucasus and the Crimea. Such observations enable conclusions to be drawn regarding the origin of the Shpan Koba and Murzak Koba industries and suggest the existence of an extensive network at the transition from the Boreal to the Atlantic period. Thus, we can Fig. 1. Final Pleistocene and Early Holocene sites. 1 — Fatma Koba; 2 — Shpan Koba; 3 — Murzak Koba; 4 — Alimovskyi Navis, Zamil Koba; 5 — Vodopadnyi Grotto; 6 — Skeliastyi Grotto; 7 — Shpan Koba, Vishenne 1; 8 — Kukrek; 9 — Buran Kaya Navis, Buran Kaya III, IV; 10 — Frontove; 11— Laspi 7; 12 — Edzani; 13 — Zurtaketi; 14 — Kotias Klde, 15 — Darkveti; 16 — Bavra; 17 — Chokh; 18 — Melouri; 19 — Zemo Lemsa; 20 — Dghvartskhma ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 7 synchronise similar developments in lithic industries across different regions. The explanation of this phe- nomenon is supported by absolute chronological data. Absolute chronological data were compared with relative chronological frameworks, including stratigraphic evidence from multilayer assemblages both on the territory of the Crimea and in remote regions associated with the Trialetian network. Comparative analysis of typology, blade pro- duction techniques, and chronological data was used to assess the contribution of the Trialetian network population to the development of the European Neolithic. Flint Complex of Layer 4 Raw material All of the artefacts found in Layer 4 of Fatma Koba are associated with local flint sources. Several sources of flint were likely used. Most of the artefacts are made from brown and grey flint extract-ed from nodules, probably originating from nearby deposits. In particular, flint sources in the vicinity of the village of Skelia in the Baydar Valley were most likely utilised. Flint knapping Flint knapping aimed at obtaining blades, bladelets, and microblades through the utilisation of both direct percussion and pressure methodologies. The structure of the flint complex is shown in Table 1. Only four cores were found in Layer 4. One of the cores is associated with direct percussion, as evidenced by the blade negatives. It is the bidirectional flat back blade core (fig. 2: 3). Its dimensions are 4.2 × 3.8 × 1.2 cm, indicating that it represents a core in the last phase of flint knapping. Two cores are associated with a pressure blade methodology. One is the sub-cylindrical bidirectional crested back blade/bladelet core. This core exhibits two striking platforms: main and supplementary (fig. 2: 1). The latter was used to remove the hinge fractures on the flaking surface. Attempts to remove the blade from the second platform were also unsuccessful. The dimensions of this core are 7.2 × 3.0 × 2.7 cm. The second pressure core is the bidirectional adjacent wedge-shaped blade/bladelet core. This core exhibits two striking platforms: main and supplementary. The latter was used to create the adjacent flaking surface and wedge shape of the core (fig. 2.2). Its dimensions are 4.2 × 2.5 × 1.3 cm. The core illustrated in fig. 2: 3 may represent an earlier stage of knapping, discarded due to the unsuccessful blade removal. One of the cores shows traces of flake removals (fig.  2:  4). This specimen is a single-platform, monofrontal (single-faced), flat core with an un- modified back. It is likely associated with repeated unsuccessful attempts to resume flake removal. Its dimensions are 4.2 × 3.8 × 1.2 cm. In addition, 23 flint fragments may be associated with failed attempts to formalise further core knapping. There are six crested blades in the complex. These artefacts are associated with the removal of ridges from cores to create a straight, raised ridge for the initiation of blade extraction. A total of 391 flakes were recorded. Of these, 28 are primary flakes exebit ≥75 % of the cortex (width 5–8 cm: 2; 3–5 cm: 9; 1–3 cm: 17), 41 are corticat- ed flakes exebit <75 % of the cortex (5–8 cm: 4; 3–5 cm: 14; 1–3 cm: 23), 391 are noncorticated flakes (5–8 cm: 17; 3–5 cm: 87; 1–3 cm: 287). There are 343 lamellar pieces, and only 475 flakes in the com- plex. Such a ratio is highly unlikely if flint knapping took place in the area of the site. The impression is that most of the flakes were brought to the site. The number of chunks (186) corresponds to a pattern as- sociated with the knapping of a single core. A total of 57 blades, bladelets, and their parts, linked to a direct percussion method, were identified. The number of complete blades is greater than the number of deliberately fractured blades (Table 1). In addition, 21 blades and 9 bladelets were record- ed. It should also be noted that the medial parts of the bladelets are missing. Eighty-seven blades, bladelets, microblades, and their parts were produced using the pressure method. Complete blades are absent from this group. There are 28 proximal, 20 medial, and 14 distal parts of blanks. In general, the structure of the complex is char- acterised by a large number of modified pieces (214 forming 20.38 %, Tables 1–2), which suggests that Layer  4 of the Fatma Koba site represents a logistical camp of hunters. Modified Pieces A total of 214  modified pieces were recovered from Layer 4 at Fatma-Koba. Taking into account the heterogeneity of the flake complex, these artefacts are grouped as follows: modified pieces on flakes ‒ 15 items, on blades and bladelets ‒ 99 items, on pressure blades, bladelets and microblades ‒ 100 items. Modified pieces on flakes One scraper on a flake was identified (3.5 × 1.9 × 0.6 cm; fig. 2: 4). Five burins were record- ed: three dihedral asymmetrical burins (2.4 × 3.1 × 0.6 cm, 3.9 × 1.8 × 0.7, 2.6 × 1.7 × 0.8 cm; fig. 2: 5); two transversal burins on laterally truncat- ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 18 Fig. 2. Fatma Koba, Layer 4. 1–3 — cores; 4 —  scraper on flake; 5–8 —  burins on flakes ed flakes (4.3 × 3.7 × 1.2 cm and 4.3 × 2.3 × 0.6 cm; fig. 2: 6–7). One transversal burin on modified splintered piece on the flake was found (5.0 × 4.0 × 1.5 cm, fig. 2: 8). Two retouched flakes were documented (4.3  × 2.7 × 1.0 cm and 4.6 × 3.7 × 0.9 cm; fig. 2: 11 3: 11), along with six notched flakes. These notched flakes range in length from 2.4 to 4.7 cm, width 1.8–2.8 cm, and thickness 0.5–1.3 cm. Modified pieces on pressure lamellar pieces A total of 109 modified pieces created on direct percussion blades were found. Four scrapers were identified: one end-scrape on a blade (fig. 3: 1); two end-scrapers on blades with broken distal parts (fig. 3: 2–3); one double end-scraper (fig. 3: 4). Dimensions range from 2.0–3.4 cm in length, 1.6–1.9 cm in width, and 0.4–0.6 cm in thickness. All scrapers have convex 1 2 3 4 5 6 7 80 1 2 cm ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 9 working edges, formed with sub-parallel retouch- ing. Twenty-five burins were recorded: fourteen angle burins on broken proximal (fig.  3:  5–11), medial (fig. 3: 12–14), and distal (fig. 3: 15) parts of blades, including one bilateral (fig. 3: 5); five angled burins on unmodified proximal (fig.  3:  16, 18) and distal (fig. 3: 17) portions of blades; three burins on oblique truncated proximal (fig. 3: 22) and medial (fig. 3: 19) portions of blades, including one bilateral (fig. 3: 22); one angled dihedral burin; and two combined burins, including one angled bilaterally on an unmodified proximal portion of the blade (fig.  3:  23) and one angled dihedrally — dihedral symmetric (fig. 3: 21). Dimensions: 2.3–5.0  cm in length, 1.3–2.6  cm in width, and 0.3–1.2 cm in thickness. One combined tool was recorded, an end- scraper and angled burin created on a broken blade (1.9 × 1.5 × 0.7 cm; fig. 3: 20). Thirty-one retouched blades with marginal edge retouch were found: 15 proximal (fig.  3:  10), nine medial, and two distal portions; three medial portions of crested and retouched blades (length 1.4–4.0 cm, width 0.7–2.2 cm, and thickness 0.2–0.6 cm). There are 35  notched blades and bladelets in the assemblage, of which 11  display semi-steep retouched notches. There is one crested blade (fig. 4: 1), nine proximal (fig. 4: 2–7), and one medial portion of blades and bladelets. The remainder (24 ar- tefacts) have notches formed with single presses of a retoucher: five blades (fig. 4: 9), eleven proximal (fig. 4: 9, 10, 11), seven medial (fig. 4: 12), and one distal portion (dimensions: 1.3–6.7 cm length, 0.8– 2.9 cm width, and 0.3–0.7 cm thickness). The most informative part of the complex is asso- ciated with hunting weapons. Geometric microliths were represented by three mid-height asymmetrical triangles, one of which has an abrupt retouched notch on the short margin, and an abrupt bipolar retouched notch on the longest margin (fig. 4: 13). The dimension is 2.8 × 0.9 × 0.3 cm. Two mid-height asymmetrical triangles have abrupt retouched sides (2.0 × 1.0 × 0.5 and 2.1 × 0.8 × 0.2 cm; fig. 4: 14–15). There are four backed pieces on bledelets with bi- polar retouch, three of which were made from the me- dial sections (dimensions: 4.2 × 1.0 × 0.5, and 1.5 × 0.7 × 0.3; 1.7 × 0.7 х 0.4 cm; fig. 4: 16–17, 19); and one from distal portion (1.0 × 0.7 × 0.2 cm; fig. 4: 18). One abrupt retouched bladelet on a distal fragment (2.1 × 1.0 × 0.3 cm; fig. 4: 20) and one oblique truncat- ed blade (3.4 × 1.4 × 0.3 cm; fig. 4: 21) were identified. Two unexpected artefacts in this assemblage of hunting-related material were tanged projectile points, which display diagnostic macrofractures di- rectly associated with their usage as projectiles. There are Amuk-type leaf-shaped points (fig. 4: 25) in ad- dition to a Byblos point with a thin tang (dimensions: 4.1 × 1.0 × 0.3 cm; fig. 4: 24). Both points have tangs formed by abrupt retouch and flat retouch on the proximal portion of their ventral surfaces. Two artefacts are interpreted as possible awls resulting from the reuse and modification of end- of-life tanged points (fig. 4: 22–23). Modified pressure laminar pieces A total of 90  modified pieces created on pressure blades, bladelets, and microblades were found in the complex of Layer 4 at Fatma Koba. Five end-scrapers, three on intact blades (fig.  5:  1–3) and two on blades with removed proximal sections (fig.  5:  4–5). Length  1.4– 2.7 cm, width 1.2–1.8 cm, thickness 0.3–0.6 cm. All scrapers have convex working edges, formed with semi-steep scraper retouching. One of the scrapers was formed from another end-scraper af- ter its edge was broken (fig. 5: 4). Twelve burins, including five angled on broken (fig.  5:  6–8) and partial (fig.  5:  9–11) bladelets. Two double-angled burins with diagonally positioned negatives of spalls (fig. 5: 9–10); one angled dihedral burin on a pressure blade, and one double burin on an unmodified proximal por- tion were found. Dimensions: length 1.3–4.2 cm, width 0.7–1.1 cm, thickness 0.1–0.7 cm. A total of 40  retouched blades and bladelets includes only one bladelet with semi-steep retouch (fig.  5:  13). Thirteen artefacts have marginally retouched edges: one with a retouched blade and 12 medial (fig. 5: 12, 14) portions (length 1.2–5.7 cm, width  0.8–1.4  cm, thickness  0.1–0.6  cm). Notched blades and bladelets are represented by 24 examples. A very interesting find includes the so-called “ancoche”, a medial blade with diagonally placed abrupt retouched notches (fig.  5:  16; 4.6  ×  1.3  ×  0.4  cm). Four proximal portions of blades and bladelets (fig.  5:  15, 17) have semi- steep retouched notches (2.1–7.5  ×  0.6–1.2  ×  0.2– 0.5  cm). Other notched blades, bladelets, and their parts formed by a single retoucher press (19 artefacts, including two proximal (fig.  5:  18), 15  medial (fig. 5: 19–23), and two distal (fig. 5: 24) portions; length 1.4–2.6 cm, width 0.7–1.2 cm, thickness 0.2– 0.5 cm). One piercing, awl-like tool with semi-steep convergent retouch (2.0 × 1.4 × 0.3 cm) was found. Twenty-six geometric microliths on pressure bladelets include 12  low asymmetric triangles and ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 110 Fig. 3. Fatma Koba, Layer 4. Tools on blades linked with direct percussion. 1–4 — scrapers; 5–23 — burins 14  trapezes. Among asymmetric triangles, one is with an abrupt retouched notch on the short side, and abrupt bipolar retouch on the long side (fig.  5:  25; 3.9 × 0.9 × 0.3 cm), and five with abrupt retouched sides (fig. 5: 26–29, 40; 1.5–2.2 × 0.7–0.8 × 0.1 cm). Fragments of six asymmetric triangles were also found (fig.  5:  30–34, 39). Of 14  trapezes, one is low, long, and symmetric with abrupt retouched sides and two notches near a small base (fig. 5: 35; 3.0  ×  1.0  ×  0.2  cm); two low symmetric with 2 cm0 1 ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 11 Fig. 4. Fatma Koba, Layer 4. Tools on blades linked with direct percussion. 1–12 — retouched and notched blades and bladelets; 13–21 — microliths; 22–23 — perforators (drills); 24–25 — tanged points abrupt retouched sides and denticulated small bases (fig. 5: 36–37; 2.1 × 0.8 × 0. cm and 1.7 × 0.8 × 0.1 cm); one low symmetric with abrupt retouched sides and a small base (fig. 5: 38; 1.6 × 0.9 × 0.1 cm); sev- en low symmetric (fig. 5: 44–49) trapezes, and two asymmetric (fig.  5:  41–43) with abrupt retouched sides (1.0–2.5 × 0.7–1.0 × 0.1 cm). All trapezes and triangles display traces of use-related damage consis- tent with projectiles. Six artefacts belong to the non-geometric microliths complex: one distal portion of an abruptly bipolarly retouched microblade (fig. 5: 51; 2.4 × 0.4 × 0.3 cm); one medial part with an abruptly retouched ventral edge (fig. 5: 52; 1.9 × 0.7 × 0.2 cm); one truncated 2 cm ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 112 Fig. 5. Fatma Koba, Layer 4. Tools on blades linked with pressure blade technology 1 1615 14 1312 11 109 8 7 654 32 333231302928 27 26 2524 23 22 21 20 191817 48 4746 4544 43 42414039 38 37 36 3534 5352 54 51 5049 0 1 2 cm ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 13 facetted proximal (fig.  5:  53), and two medial (fig.  5:  54) portions of bladelets (dimensions: 2.0– 4.2 × 0.7–1.0 × 0.1–0.3 cm); as well as one bi-trun- cated facetted bladelet (fig. 5: 50; 2.2 × 0.8 × 0.1 cm). Overall, Layer 4 can be divided into three sub- assemblages. It is reasonable to assume that pressure blades and bladelets are associated with the Murzak Koba culture. Direct percussion blades and blade- lets can be linked to the Shpan Koba culture. Tools on flakes could belong to either cultural traditions. These assumptions will be discussed in the next sec- tion of the article. Discussion of the Homogeneity of the Layer  4 Complex at the Fatma Koba Site The question of the homogeneity of the Lay- er 4 complex at the Fatma Koba site arises from the simultaneous presence of two different lithic reduction strategies and a considerable diversity in the typology of modified pieces. Blades obtained by direct percussion and pressure methods are equally represented. Modified pieces associated with pressed blades are marked by the presence of trapezes, which are absent from the assemblage of modified pieces produced on non-pressed blades. At first glance, this might suggest that the mixed nature of the Layer 4 complex has been convinc- ingly demonstrated. However, a more detailed comparison of the typology of modified pieces leads to a more controversial conclusion. Certain types of flint exhibit similarities in complexes associated with different types of blanks. These materials can hardly be interpreted as monocultural. At the same time, radiocarbon evidence shows that the layer was formed rapidly, suggesting intensive interaction between representatives of different industries. Two new dates were obtained recently during the preparation of this article. These dates are associated with the end of the Preboreal and the beginning of the Boreal periods. One of the dates (FTMC-IH63-3 — 9542 ± 49 BP uncal — 9121–8736 BC cal) coincides with previously obtained dates marking the onset of the Span Koba culture (Яневич, 2019). The other date (4 FTMC-IH63-4 — 9034 ± 52 BP uncal — 8292– 7973 BC cal) is slightly later and may be associated with the emergence of pressure blade technology and the transformation of the Shpan Koba culture into the Murzak Koba culture. The series of scrapers shows similarity. All scrapers are made on straight blades with parallel edges, and all retouched working edges are convex. Semi-steep flaking retouch was used to shape the working edges. The typology of burins, associated with different types of blanks, is likewise similar across both complexes. The most numerous are angle burins on broken blades and bladelets. Dihedral burins and burins on truncated facetted blades are also present in both groups. The presence of notched blades in the assemblage is particularly noteworthy. Both types of blades (di- rect and pressure) are associated with the production of notched artefacts by means of a single pressing method. Such notches occur not only on blades and bladelets, but also on trapezes. Three trapezes bear notches on a small proхimal base, which allows us to consider the complexity of notched blades of both types. Complexes of non-geometric microliths linked with different types of blanks are likewise similar. Common microlith types include abrupt bipolar retouched blades, abrupt retouched blades, and truncated facetted blades. Geometric microliths also display partial similarity: both blank types were used to produce asymmetric triangles with abrupt retouched or notched sides. With which archaeological cultures should these microliths be associated? Geometric and non- geometric microliths produced on non-pressure blades are traditionally attributed to the Shpan Koba culture, while the same microliths produced on pressure blades are associated with the Murzak Koba culture. Overall, this general similarity indicates that the Shpan Koba and Murzak Koba cultures represent the same cultural tradition. We argue that the introduction of pressure blade technology led to the transformation of the Shpan Koba industry. Unfortunately, the material from Layer 4 does not allow for arranging it by deposition- al depth. Microliths that can be associated with one of the cultures are found at both the top and bottom of the layer. This may be the result of washout processes affecting the deposit. Alternatively, the transformation of the Shpankobian industry may not have involved a sudden shift in flaking techniques or microlith typology. Archaic features may have coexisted with innovative technology for some time. The transformation of the Shpankobian industry into the Murzakkobian industry, driven by changes in blade production technology, was a widespread phe- nomenon in the Early Holocene. This process can be traced across regions associated with the Trialetian industry. S.  K.  Kozlowski  (1999) described this industry in detail, associating it with Asia Minor, the eastern, southern, and western coasts of the Caspian Sea, and the South Caucasus. The main features of the Trialetian industry were as follows: ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 114 Types of artefacts Number Percentage Cores linked with direct or indirect percussion 2 0.19 % Cores linked with pressing flaking 2 0.19 % Core fragments 23 2.19 % Crested blades 6 0.57 % Blades (lw dp*) 21 2.00 % Proximal blade fragments (lw dp*) 14 1.33 % Medial blade fragments (lw dp*) 3 0.29 % Distal blade fragments (lw dp*) 5 0.48 % Bladelets (lw dp*) 9 0.86 % Proximal bladelet fragments (lw dp*) 2 0.19 % Medial bladelet fragments (lw dp*) 0 0.00 % Distal bladelet fragments (lw dp*) 3 0.29 % Blades (lw pf**) 0 0.00 % Proximal blade fragments (lw pf**) 9 0.86 % Medial blade fragments (lw pf**) 1 0.10 % Distal blade fragments (lw pf**) 1 0.10 % Bladelets (lw pf**) 13 1.24 % Proximal bladelet fragments (lw pf**) 14 1.33 % Medial bladelet fragments (lw pf**) 27 2.57 % Distal bladelet fragments (lw pf**) 11 1.05 % Microblades (lw pf**) 2 0.19 % Proximal microblade fragments (lw pf**) 5 0.48 % Medial microblade fragments (lw pf**) 2 0.19 % Distal microblade fragments (lw pf**) 2 0.19 % Corticated flakes (≥75% of the cortex) 28 2.67 % Corticated flakes (<75% of the cortex) 41 3.90 % Non-corticated flakes 391 37.24 % Chunks 186 17.71 % Burin spalls 13 1.24 % Modified pieces 214 20.38 % Total 1050 100.00 % (lw dip*) Linked with direct and indirect percussion. (lw pf**) Linked with pressure flaking. Table 1. Fatma-Koba. Lithic artefacts from Layer 4. Absolute number and percentages are given -  the use of direct and indirect percussion methods in the reduction of cores; - the presence of asymmetric triangles; - the presence of truncated faceted blades; - the presence of symmetric triangles; - the use of the microburin technique. It should be noted that not all sites display all of these characteristics, but both the Shpankobian and Murzakkobian industries can be assigned to the Trialetian group. The Shpankobian industry shows particularly close parallels with sites in the South Caucasus. The site of Kotias Klde (Meshveliani et  al. 2007) is almost identical to the Shpankobian complexes in Crimea. The chronological unity of the Trialetian sites of Crimea and the Caucasus has been described in detail (Manko, Chkhatarashvili 2022). Here, we will highlight one unique parallel: the presence of bladelets with bipolar retouched edges, a feature characteristic only of Trialetian cultures in the Caucasus and Crimea, and associated with the influence of later Imeretian cultural traditions. Trialetian industries in other regions also demonstrate technological development associated with the emergence of the pressure technique. Evidence of this technique has been documented at Darkveti (Layer 5) (Nebieridze 1978) and Chokh (Layer C) (Amirkhanov 1987). Thus, we can trace the parallel development of Trialetian cultures in Crimea, the South Caucasus, and the western Caspian region. It is therefore necessary to identify the origin from which the Shpan Koba industry acquired pressure blade technology. The Kukrek culture initially ap- ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 15 Table 2. Fatma Koba. Modified pieces from Layer 4 Modified pieces On flakes % On blades % On pressure blades % Total % Scrapers 1 6.67 % 4 3.67 % 5 5.56 % 10 4.67 % Burins 6 40.00 % 25 22.94 % 12 13.33 % 43 20.09 % Retouched flakes 2 13.33 % 0 0.00 % 0 0.00 % 2 0.93 % Notched flakes 6 40.00 % 0 0.00 % 0 0.00 % 6 2.80 % Combined tool 0 0.00 % 1 0.92 % 0 0.00 % 1 0.47 % Retouched blades 0 0.00 % 31 28.44 % 14 15.56 % 35 16.36 % Notched blades 0 0.00 % 35 32.11 % 24 26.67 % 59 27.57 % Piercing tool 0 0.00 % 0 0.00 % 1 1.11 % 1 0.47 % Burinated pieces 0 0.00 % 0 0.00 % 2 2.22 % 2 0.93 % Triangles 0 0.00 % 3 2.75 % 12 13.33 % 15 7.01 % Trapezes 0 0.00 % 0 0.00 % 14 15.56 % 14 6.54 % Backed bipolar blades 0 0.00 % 4 3.67 % 1 1.11 % 5 2.34 % Backed blades 0 0.00 % 1 0.92 % 1 1.11 % 2 0.93 % Oblique truncated facetted blades 0 0.00 % 1 0.92 % 4 4.44 % 5 2.34 % Tanged point 0 0.00 % 2 1.84 % 0 0.00 % 2 0.94 % Awls 0 0.00 % 2 1.83 % 0 0.00 % 2 0.93 % Total 15 100.00 % 109 100.00 % 90 100.00 % 214 100.00 % pears to be a plausible candidate, as both cultures coexisted in Crimea during the Preboreal-Boreal period. However, the Kukrek culture can be exclud- ed for several reasons. Firstly, Kukrekian bullet- like cores are absent from Layer 4 at Fatma-Koba. Secondly, the long coexistence does not correlate with the spread of pressure blade technology in early Shpan Koba complexes. Moreover, the Kukrek pressure blade technology was associated with the production of grooved wooden tools used to hold cores that were very difficult to replicate. Who, or what, mediated this transition? Low symmetrical trapezes with abruptly retouched sides occur in Layer  4. This type of trapeze is known from south-eastern Europe in the Hrebenyky and Matviiv Kurgan cultures, and from the southern and central Caucasus in the complexes of Darkveti culture (Manko, Chkhatarashvili 2022). It seems reasonable to assume that the westward movement of the Darkvetian population could have led to the emergence of a new centre of pressure flaking distribution in the south of Eastern Europe. The westward movement of the Darkvetian population (Manko, Chkhatarasvili 2022) is supported by absolute chronology. Layer 4 (М1) at Sosruko dates to the first half of the Boreal and yield- ed trapezes on pressure blades as well as tongue-like cores (Леонова 2021). All of these artefacts have close analogues in Layer 4 at Fatma-Koba, which is also dated to the first half of the Boreal. Low symmetrical trapezes with abruptly re- touched sides have been recorded in numerous Crim- ean complexes, including Layer 3 at Shan Koba, Layer 3 at Murzak Koba, Layers 4 and 3 at Fatma Koba, and several sites on the Kerch peninsula. It should be noted that such trapezes are always accompanied by Murzak Koba culture materials. Whether a synthesis of Murzak Koba and Darkveti cultural traditions took place remains unclear. It is possible that during the second half of the Boreal period, both cultural traditions were distributed across the same territory, used the same campsites, and maintained close contacts. The technological innovations of the Darkveti culture transformed the Shpankobian industry. Supporting evidence can be found in the material from Fatma Koba and Murzak Koba excavated by H. A. Bonch-Osmolovskyi. Excavations in the 1950s were not always sufficiently precise. For example, Layer 4 at Fatma Koba was investigated as a single unit, whereas H. A. Bonch-Osmolovskyi divided the lithological layers into horizons, which allowed for more detailed observations. Layers  4.3 and 4.1 at Fatma Cave, Lay- ers 4, 3.4, and 3.2 at Murzak Koba (excavated by H. A. Bonch-Osmolovskyi) yielded only trapezes. At the same time, Layers 4.2 at Fatma Cave, 3.3 and 3.1 at Murzak Koba, contained the full range of hunting weapons, asymmetrical triangles, etc. It should be noted that the term “Murzak Koba ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 116 Table 3. Radiocarbon dates № Date uncal BP Lab. No. Material  Date cal BC Site Context Culture Publication 1. 9542 ± 49 FTMC-IH63-3 Bone 9121–8736 Fatma Koba Layer 4 Shpan Koba In first 2. 9034 ± 52 FTMC-IH63-4 Bone 8292–7973 Fatma Koba Layer 4 Shpan Koba / Murzak Koba transition In first 3. 9363±73 KIA-9570 Bone 9043-8348 Shan Koba Layer 4 Shpan Koba Biagi at al. 2014 4. 9575±45 GrA-50244 Bone 9193-8767 Shan Koba Layer 4 Shpan Koba Benecke 2006 5. 9560± 50 КІА-3589 Bone 9191-8753 Shpan Koba Layer 2-1 Shpan Koba Яневич 2019 6. 9150± 150 ГИН-5276 Bone 8798-7868 Shpan Koba Layer 2-3 Shpan Koba Яневич 2019 7. 9790± 50 КІА-3688 Bone 9362-9161 Shpan Koba Layer 2-4 Shpan Koba Яневич 2019 8. 9730± 50 КІА-3687 Bone 9299-8878 Shpan Koba Layer 2-5 Shpan Koba Яневич 2019 9. 9760± 60 КІА-3686 Bone 9327-8867 Shpan Koba Layer 3-2 Shpan Koba Яневич 2019 10. 9890± 80 Кі-5824 Bone 9741-9237 Shpan Koba Layer 3-2 Shpan Koba Яневич 2019 11. 9930± 60 КІА-3685 Bone 9739-9271 Shpan Koba Layer 3-4 Shpan Koba Яневич 2019 12. 9840± 50 КІА-3684 Bone 9444-9236 Shpan Koba Layer 3-5 Shpan Koba Яневич 2019 13. 9940± 50 КІА-3683 Bone 9734-9289 Shpan Koba Layer 3-6 Shpan Koba Яневич 2019 14. 8357± 52 KIA-9571 Bone 7573-7194 Shan Koba Layer 3.3 Murzak Koba, early phase Benecke 2006 15. 8625± 40 GrA-35704 Bone 7734-7584 Laspi 7 Murzak Koba, early phase Яневич 2019 16. 8620± 40 GrA-35703 Bone 7735-7582 Laspi 7 Murzak Koba, early phase Яневич 2019 17. 10400±60 RTT-4703 Bone 10648-10047 Kotias Klde Trialetian Meshveliani et al. 2007 18. 9270± 60 RTT-4698 Bone 8693-8304 Kotias Klde Trialetian Meshveliani et al. 2007 19. 10120±30 IGANAMS-8441 Bone 9927-9458 Chokh Layer D Trialetian Амирханов 2022 20. 10410±30 IGANAMS-8112 Bone 10635-10149 Chokh Layer D Trialetian Амирханов 2022 21. 10470±30 IGANAMS-8443 Bone 10670-10244 Chokh Layer E Trialetian Амирханов 2022 22. 8170± 25 IGANAMS-9876 Bone 7316-7066 Sosruko Layer M1(4) Darkveti culture Леонова 2021 23. 8940± 30 IGANAMS-7987 Bone 8254-7962 Sosruko Layer M1(4) Darkveti culture Леонова 2021 24. 8780± 170 LU-9167 Bone 8288-7543 Sosruko Layer M1(4) Darkveti culture Golovamova et al. 2020 * INTCAL20 terrestrial (Northern Hemisphere) calibration curve (Reimer et al. 2020). OxCal 4.4.4 (© Christopher Bronk Ramsey 2025). culture” may encompass at least two interstratified phenomena. It is also likely that Layer 3 at Shan Koba consists of several layers. The excavations did not allow us to identify clean layers. Nevertheless, the presence of seven trapezes of the Darkvetian type in Layer 3.4 of Shan Koba should be noted. The presence of low trapezes in some complexes of the Murzak Koba culture likely reflects the coexistence of two technological traditions. Darkvetian groups or Darkvetian technological traditions may have spread widely into the steppe zone, where the Hrebenyky and Matviiv Kurgan cultures developed. In conclusion, the Layer  4 complex at Fatma Koba reflects the interaction between the Shpan- kobian/Murzakkobian and Darkvetian groups. The influence of the Darkvetian culture led to a sig- nificant transformation of the Shpan Koba lithic industry, which resulted in the emergence of the Murzak Koba culture. This transformation was driven by the adoption of Darkvetian pressure bla- de technology methods. However, the introduction of new methods for producing blades did not result in any changes to the overall typology. It is possible that during the late Preboreal and early Boreal periods, the site was used either simultaneously or alternately by people of different cultural traditions. Alternatively, cultural ties may have been established between different population groups during the joint use of the site, leading to the transformation of the Shpankobian industry. ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 1 17 Conclusions The transformation of the Shpan Koba culture occurred over a very short period at the end of the Preboreal and during the first half of the Boreal. Dur- ing this period, the spread of pressure blade tech- nology methods is recorded in all regions, without exception, associated with the development of this culture. This circumstance allows us to assert that the global information network continued to exist dur- ing this time. The cultural influence of the Darkvetian (Hre- benyky) culture was associated with the spread of pressure blade technology methods in the Crimea. The development of Murzak Koba culture in the Crimea probably continued until the beginning of the Atlantic period, as evidenced by the pres- ence of asymmetrical triangles in Layer  3 at Fatma-Koba. Murzakkobian materials occur here within the same lithological layer as those of the Tash Air culture. The Shpan Koba and Murzak Koba cultures were part of the Trialetian culture, which existed from the 10th to the 8th millennium BC across Asia Minor, the Eastern, Southern, and Western Caspian regions, the Southern Caucasus, the Crimea, and the Dnipro rapids region. Acknowledgment The authors express their sincere gratitude to John W. Kiernan, Master Sergeant, United States Air Force (Retired), Master of Arts, Experimental Archae- ology, for his constructive comments and careful editing of the manuscript. We thank the Vilnius Radiocarbon Laboratory for dating the samples from Fatma Koba. Received 04.07.2025 Амирханов, Х. А. 1987. Чохское поселение, человек и его культура в мезолите и неолите горного Дагестана. Москва: Наука. Бибиков, С. Н. 1966. Раскопки в навесе Фатьма-Коба и некоторые вопросы изучения мезолита Крыма. В: Гури- на, Н. Н. (отв. ред.). Материалы и исследования по архео- логии СССР, 126. Москва: Наука, с. 138-143. Бибиков, С. Н., Станко, В. Н., Коен, В. Ю. 1994. Финальный палеолит и мезолит Горного Крыма. Одесса: Весть. Бонч-Осмоловский,  Г.  А. 1934. Итоги изучения крымского палеолита. Труды ІІ междунар. конф. Ассоци- ации по изучению четвертичного периода Европы, V. Мо- сква; Ленинград; Новосибирск: Гос. Научн.-техн. горно- геолого-нефтяное изд-во, с. 114-183. Леонова,  Е.  В. 2021. Грот Сосруко: ревизия мате- риалов из раскопок С.  Н.  Замятнина и радиоуглерод- ная хронология верхних слоев каменного века. Camera Praehistorica, 1, с.  101-119. https://doi.org/10.31250/2658- 3828-2021-1-101-11910.31250/2658-3828-2021-1-101-119 Телегін,  Д.  Я. 1982. Мезолітичні пам’ятки України. Київ: Наукова думка. Яневич, О. О. 2019. Радіовуглецева хронологія фіналь- ного палеоліту, мезоліту та неоліту Криму в археологіч- ному та палеоекологічному контекстах. Vita Antiqua, 11, с. 116-137. https://doi.org/10.37098/VA-2019-11-116-137 Benecke, N. 2006. Zur Datierung der Faunensequenz am Abri San-Koba (Krim, Ukraine). Beitrage zur Archäozoologie und Prähistorischen Anthropologie, 5, p. 12-15 Biagi, P., Khlopachev, G.A., Kiosak, D.V. 2014. The radiocarbon chronology of Shan-Koba rock-shelter, a Late Palaeolithic and Mesolithic sequence in the Crimean Mountains (Ukraine). Diadora, 28, p. 7-20 Kozłowski,  S.  K. 1999. The Eastern Wing of Fertile Crescent: Late Prehistory of Great Mesopotamian Lithic Industries. Oxford: BAR International Series. Manko, V., Chkhatarashvili, G. 2022. Transcaucasia and Neolithic of South of Eastern Europe. Arheologia, 2, p. 19-52. https://doi.org/10.15407/arheologia2022.02.019 Meshveliani,  T., Bar-Oz,  G., Bar-Yosef,  O., Belfer- Cohen, A., Boareto, E., Jakeli, N., Koridze, E., Matskevich, Z. 2007. Mesolithic Hunters at Kotias Klde in Western Georgia: Preliminary Results. Paleorient, 33 (2), p. 47-58. ნებიერიძე, ლ. 1978. დარკვეთის მრავალფენიანი ეხი. თბილისი: მეცნიერება. Pelegrin, J. 2012. New Experimental Observations for the Characterization of Pressure Blade Production Techniques. In:  Des-rosiers,  P.  (ed.). The Emergence of Pressure Blade Making from Origin to Modern Experimentation. New York: Springer, p. 237-259. Reimer, P., Austin, W., Bard, E., Bayliss, A., Blackwell, P., Bronk Ramsey, C., Butzin, M., Cheng, H., Edwards, R., Friedrich, M., Grootes, P., Guilderson, T., Hajdas, I., Heaton, T., Hogg, A., Hughen, K., Kromer, B., Manning, S., Muscheler, R., Palmer, J., Pearson, C., van der Plicht, J., Reimer, R., Richards, D., Scott, E., Southon, J., Turney, C., Wacker, L., Adolphi, F., Büntgen, U., Capano, M., Fahrni, S., Fogtmann-Schulz, A., Friedrich, R., Köhler, P., Kudsk, S., Miyake, F., Olsen, J., Reinig, F., Sakamoto, M., Sookdeo, A., & Talamo, S. 2020. The IntCal20 Northern Hemisphere radiocarbon age calibration curve (0–55 cal kBP). Radiocarbon, 62, p. 725-757. doi:10.1017/RDC.2020.41 Валерій О. Манько1, Сергій А. Теліженко2 1Кандидат історичних наук, старший науковий співробітник, Інститут археології НАН України, відділ археології Кри- му та Північно-Західного Причорномор'я, ORCID: 0000-0002-2990-7234, Valery_Manko@ yahoo.com 2Кандидат історичних наук, старший науковий співробітник, Інститут археології НАН України, відділ археології Кри- му та Північно-Західного Причорномор'я, ORCID: 0000-0003-1677-4900, telizharh@hotmail.com КРЕМ’ЯНИЙ КОМПЛЕКС ШАРУ 4 СТОЯНКИ ФАТЬМА КОБА, КРИМ УКРАЇНА Розкопки стоянки Фатьма Коба відбувалися у 1927  р. під керівництвом Г.  А.  Бонч-Осмоловського та у 1956–1958  рр. під керівництвом С. M. Бібікова. Колекція 1927 р. зберігається у Петербурзі й наразі недоступна для вивчення. Статтю присвячено аналізу колекції 1956–1958 рр., що зберігається у наукових фондах археологічного музею Інституту археології НАН України. ISSN 0235-3490 (Print), ISSN 2616-499X (Online). Археологія, 2026, № 118 Культурний шар 4 формувався протягом бореального періоду голоцену як результат відвідування стоянки носіями різних культурних традицій, які проживали на території Криму одночасно. Є сліди тимчасового перебування на місці стоянки носіїв кримської свідерської, кукрецької та гребениківської культур. Основу ж комплексу складають матеріали, які належать до шпанкобинської та мурзаккобинської культур. Відкладення культурного шару відбувалося протягом досить тривалого часу, тому основним завданням аналізу було відокремлення шпанкобинських та мурзаккобинських артефактів. З цією метою здійснено аналіз крем’яних артефактів, виготовлених із різних типів заготовок та відходів виробництва: відщепів та пластинчастих заготовок, отриманих методом ручного відтиску. Враховуючи той факт, що ранні шпанкобинські комплекси не були пов’язані з використанням відтискної техніки, вдалося відносно коректно розділити знаряддя двох археологічних культур. Порівняння знарядь на звичайних та відтискних пластинах показало, що типологія комплексів є абсолютно подібною. Особливо показовим було порівняння мікролітичних комплексів, які продемонстрували морфологічну й типологічну подібності. Отримані дані типологічного аналізу дозволили зробити висновок, що мурзаккобинська культура пов’язана походженням із шпанкобинською. Трансформація шпанкобинської культури відбулася під впливом міграційної активності даркветського населення Пінічного Кавказу, які з’явилися на території Криму в середині Бореалу. К л ю ч о в і с л о в а: Крим, ранній голоцен, ериалетська індустрія, відтискна техніка, асиметричні трикутники, бі- полярна ретуш, міграції, мережа взаємодії. References Amirkhanov,  Kh.  A. 1987. Chokhskoe poselenie, chelovek i ego kultura v mezolite i neolite gornogo Dagestana. Moscow: Nauka. Bibikov, S. N. 1966. Raskopki v navese Fatma-Koba i nekotorye voprosy izucheniia mezolita Kryma. In: Gurina, N. N. (ed.). Materialy i issledovaniia po arkheologii SSSR, 126. Moscow: Nauka, p. 138-143. Bibikov, S. N., Stanko, V. N., Koen, V. Iu. 1994. Finalnyi paleolit i mezolit Gornogo Kryma. Odesa: Vest. Bonch-Osmolovskii, G. A. 1934. Itogi izucheniia krymskogo paleolita. Trudy ІІ mezhdunar. konf. Assotsiatsii po izucheniiu chetvertichnogo perioda Evropy, V. Moscow; Leningrad; Novosibirsk: Gos. Nauchn.-tekhn. gorno-geologo-neftianoe izd-vo, p. 114-183. Leonova, E. V. 2021 Sosruco Rockshelter: Revision of Materials of the Excavation by S. N. Zamiatnin and the Upper Horizons Radiocarbon Chronology. Camera Praehistorica, 1, p. 101-119. https://doi.org/10.31250/2658-3828-2021-1-101-119 Telehin, D. Ya. 1982. Mezolitychni pamiatky Ukrainy. Kyiv: Naukova dumka. Yanevych, O. O. 2019. Radiocarbon Chronology of the Final Palaeolithic, Mesolithic and Neolithic of Crimea, Ukraine, in the Archaeological and Palaeoecological Contexts. Vita Antiqua, 11, p. 116-137. https://doi.org/10.37098/VA-2019-11-116-137 Benecke, N. 2006. Zur Datierung der Faunensequenz am Abri San-Koba (Krim, Ukraine). Beitrage zur Archäozoologie und Prähistorischen Anthropologie, 5, p. 12-15; Biagi, P., Khlopachev, G.A., Kiosak, D.V. 2014. The Radiocarbon Chronology of Shan-Koba Rock-Shelter, a Late Palaeolithic and Mesolithic Sequence in the Crimean Mountains (Ukraine). Diadora, 28, p. 7-20; Kozłowski, S. K. 1999. The Eastern Wing of Fertile Crescent: Late Prehistory of Great Mesopotamian Lithic Industries. Oxford: BAR International Series. Manko, V., Chkhatarashvili, G. 2022. Transcaucasia and Neolithic of South of Eastern Europe. Arheologia, 2, p. 19-52. https:// doi.org/10.15407/arheologia2022.02.019 Meshveliani,  T., Bar-Oz,  G., Bar-Yosef,  O., Belfer-Cohen,  A., Boareto,  E., Jakeli,  N., Koridze,  E., Matskevich,  Z. 2007. Mesolithic Hunters at Kotias Klde in Western Georgia: Preliminary Results. Paleorient, 33 (2), p. 47-58. Nebieridze, L. 1978. Multilayer Rock Shelter Darkveti. Tbilisi: Metsniereba. Pelegrin,  J. 2012. New Experimental Observations for the Characterization of Pressure Blade Production Techniques. In: Desrosiers, P. (ed.). The Emergence of Pressure Blade Making from Origin to Modern Experimentation. New York: Springer, p. 237-259. Reimer, P., Austin, W., Bard, E., Bayliss, A., Blackwell, P., Bronk Ramsey, C., Butzin, M., Cheng, H., Edwards, R., Friedrich, M., Grootes, P., Guilderson, T., Hajdas, I., Heaton, T., Hogg, A., Hughen, K., Kromer, B., Manning, S., Muscheler, R., Palmer, J., Pearson, C., van der Plicht, J., Reimer, R., Richards, D., Scott, E., Southon, J., Turney, C., Wacker, L., Adolphi, F., Büntgen, U., Capano, M., Fahrni, S., Fogtmann-Schulz, A., Friedrich, R., Köhler, P., Kudsk, S., Miyake, F., Olsen, J., Reinig, F., Sakamoto, M., Sookdeo, A., & Talamo, S. 2020. The IntCal20 Northern Hemisphere radiocarbon age calibration curve (0–55 cal kBP). Radiocarbon, 62, p. 725-757. doi:10.1017/RDC.2020.41
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spelling arheologia-com-ua-article-4372026-03-21T11:40:41Z Flint Artefacts of Layer 4 at the Fatma Koba Site, Cimea, Ukraine Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна Manko, V. O. Telizhenko, S. A. Crimea, Early Holocene, Trialeti industry, pressure lamellar technology, asymmetric triangles, bipolar retouch, migrations, networks. Крим, ранній голоцен, ериалетська індустрія, відтискна техніка, асиметричні трикутники, біполярна ретуш, міграції, мережа взаємодії. The Early Holocene complex of Layer 4 at the Fatma Koba is associated with a change from the Shpan Koba to the Murzak Koba culture. The change is marked by the appearance of pressure lamellar technology. The beginning of the transformation relates to the migration of Darkveti population from the South Caucasus. It is significant that the change in the technology of knapping did not lead to a change in the typology of the complex of modified pieces. Розкопки стоянки Фатьма Коба відбувалися у 1927&amp;nbsp;р. під керівництвом Г.&amp;nbsp;А.&amp;nbsp;Бонч-Осмоловського та у 1956–1958&amp;nbsp;рр. під керівництвом С.&amp;nbsp;M.&amp;nbsp;Бібікова. Колекція 1927&amp;nbsp;р. зберігається у Петербурзі й наразі недоступна для вивчення. Статтю присвячено аналізу колекції 1956–1958&amp;nbsp;рр., що зберігається у наукових фондах археологічного музею Інституту археології НАН&amp;nbsp;України.Культурний шар&amp;nbsp;4 формувався протягом бореального періоду голоцену як результат відвідування стоянки носіями різних культурних традицій, які проживали на території Криму одночасно. Є сліди тимчасового перебування на місці стоянки носіїв кримської свідерської, кукрецької та гребениківської культур. Основу ж комплексу складають матеріали, які належать до шпанкобинської та мурзаккобинської культур. Відкладення культурного шару відбувалося протягом досить тривалого часу, тому основним завданням аналізу було відокремлення шпанкобинських та мурзаккобинських артефактів. З цією метою здійснено аналіз крем’яних артефактів, виготовлених із різних типів заготовок та відходів виробництва: відщепів та пластинчастих заготовок, отриманих методом ручного відтиску.Враховуючи той факт, що ранні шпанкобинські комплекси не були пов’язані з використанням відтискної техніки, вдалося відносно коректно розділити знаряддя двох археологічних культур. Порівняння знарядь на звичайних та відтискних пластинах показало, що типологія комплексів є абсолютно подібною. Особливо показовим було порівняння мікролітичних комплексів, які продемонстрували морфологічну й типологічну подібності.Отримані дані типологічного аналізу дозволили зробити висновок, що мурзаккобинська культура пов’язана походженням із шпанкобинською. Трансформація шпанкобинської культури відбулася під впливом міграційної активності даркветського населення Пінічного Кавказу, які з’явилися на території Криму в середині Бореалу. Institute of Archaeology NAS of Ukraine 2026-03-15 Article Article application/pdf https://arheologia.com.ua/index.php/arheologia/article/view/437 10.15407/archaeologyua2026.01.005 Arheologia; No 1 (2026): Arheologia; 5-17 Археологія ; № 1 (2026): Археологія; 5-17 Археология; № 1 (2026): Arheologia; 5-17 2616-499X 0235-3490 uk https://arheologia.com.ua/index.php/arheologia/article/view/437/453 Copyright (c) 2026 Arheologia https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode.en
spellingShingle Крим
ранній голоцен
ериалетська індустрія
відтискна техніка
асиметричні трикутники
біполярна ретуш
міграції
мережа взаємодії.
Manko, V. O.
Telizhenko, S. A.
Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна
title Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна
title_alt Flint Artefacts of Layer 4 at the Fatma Koba Site, Cimea, Ukraine
title_full Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна
title_fullStr Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна
title_full_unstemmed Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна
title_short Крем’яний комплекс шару 4 стоянки Фатьма Коба, Крим, Україна
title_sort крем’яний комплекс шару 4 стоянки фатьма коба, крим, україна
topic Крим
ранній голоцен
ериалетська індустрія
відтискна техніка
асиметричні трикутники
біполярна ретуш
міграції
мережа взаємодії.
topic_facet Crimea
Early Holocene
Trialeti industry
pressure lamellar technology
asymmetric triangles
bipolar retouch
migrations
networks.
Крим
ранній голоцен
ериалетська індустрія
відтискна техніка
асиметричні трикутники
біполярна ретуш
міграції
мережа взаємодії.
url https://arheologia.com.ua/index.php/arheologia/article/view/437
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