Фольклор у романі Михайла Стельмаха "Кров людська - не водиця"
Famous Ukrainian writer of the 20th Century M. Stelmakh had a great interest to Ukrainian folklore not only at the theoretical level. He was working in the Institute of Art Studies, Folklore, and Ethnography as a researcher, which led him to a better understanding of folk’s spirits. He not only wide...
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| Видавець: | Iнститут мистецтвознавства, фольклористики та етнології iм. М.Т. Рильського НАН України |
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| Дата: | 2005 |
| Автор: | |
| Формат: | Стаття |
| Мова: | Ukrainian |
| Опубліковано: |
Iнститут мистецтвознавства, фольклористики та етнології iм. М.Т. Рильського НАН України
2005
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| Назва видання: | Народна творчість та етнографія |
| Теми: | |
| Онлайн доступ: | http://dspace.nbuv.gov.ua/handle/123456789/43081 |
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| Цитувати: | Фольклор у романі Михайла Стельмаха "Кров людська - не водиця" / Н. Шумада // Народна творчість та етнографія. — 2005. — №. 5. — С. 32-39. — Бібліогр.: 12 назв. — укр. |
Репозиторії
Digital Library of Periodicals of National Academy of Sciences of Ukraine| Резюме: | Famous Ukrainian writer of the 20th Century M. Stelmakh had a great interest to Ukrainian folklore not only at the theoretical level. He was working in the Institute of Art Studies, Folklore, and Ethnography as a researcher, which led him to a better understanding of folk’s spirits. He not only widely used folk motifs in his poetry and novels, but created a special atmosphere within his art with the help of folk texts. In the novel "Human’s Blood is not Water" folklore became an important component, which serves a purpose of building up a Ukrainian literary language. The symbolic language, folk poetic forms, folk images serve the purpose in the novel to create a philosophical life approach based on the basic understandings of the human values hidden in a folk lyric songs, humor, epics, legends. |
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