Сontents
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| Published in: | Слово і Час |
|---|---|
| Date: | 2010 |
| Format: | Article |
| Language: | English |
| Published: |
Інститут літератури ім. Т.Г. Шевченка НАН України
2010
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| Online Access: | https://nasplib.isofts.kiev.ua/handle/123456789/142439 |
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| Journal Title: | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| Cite this: | Сontents // Слово і Час. — 2010. — № 8. — С. 128. — англ. |
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Digital Library of Periodicals of National Academy of Sciences of Ukraine| _version_ | 1860101633825832960 |
|---|---|
| citation_txt | Сontents // Слово і Час. — 2010. — № 8. — С. 128. — англ. |
| collection | DSpace DC |
| container_title | Слово і Час |
| first_indexed | 2025-12-07T17:28:33Z |
| format | Article |
| fulltext |
Слово і Час. 2010 • №8128
CONTENTS
DATES
Mykola Hryhorovych Zhulynsky ...........................................................................................................3
Mykola Zhulynsky. National centre of philology..................................................................................5
Rostyslav Radyshevsky. Mykola Zhulynsky’s 70th birthday. An acrostic for his arms ....................15
Vitaliy Donchyk. Talent, position, work and work .............................................................................16
Yaroslav Holoborodko. Energetic stylishness of the depth: The monads of Mykola Zhulynsky ......20
Mykola Ilnytsky. Wishing non-oblivion ...............................................................................................24
Vyacheslav Briukhovetsky. “The swifts swishing swiftly and sweet…” ..............................................27
Mykhaylo Slaboshpytsky. Self-made man ............................................................................................28
Mykola Sulyma. Making ourselves known through culture ...............................................................30
Iryna Zhylenko. Those old memories ...................................................................................................31
Halyna Pahutiak. Mykola Zhulynsky in the likeness of the Cheshire Cat ........................................33
Tamara Denysova. A recollection of youth ..........................................................................................35
Liudmyla Tarnashynska. Out of respect for the other’s talent ..........................................................35
Rayisa Movchan. To finish one’s own church ......................................................................................36
Oxana Slipushko. Mykola Zhulynsky’s creed ......................................................................................37
Nila Zborovska. Being a contemporary................................................................................................38
Myroslav Trofimchuk. Also known as Michel de Four ........................................................................39
Nataliya Mazepa. When and how did the socialist realism perish ....................................................40
Anatoliy Shpytal. Historical novels by Ivan Bilyk ..............................................................................47
THE 20TH CENTURY
Serhiy Romanov. Death as/and creativity in the artistic universe of Lesia Ukrayinka .....................55
Natalia Maliutina. The dramatisation of rhetoric strategies in Lesia Ukrayinka’s
dramatic poems: On the problem of mimesis in literature ...................................................................71
CENTRES OF PHILOLOGY
Olexandr Domaschenko. The history of the Research Institute for Slavic
and Comparative Studies ........................................................................................................................79
Sofiya Filonenko. Popular fiction: The power of genres and genre canons .......................................81
Nina Anisimova. “… as though the centuries have slipped through the fingers …”
Eschatological world model in Ihor Rymaruk’s “Bermuda Triangle” .................................................94
Ellina Tsykhovska. The Adam complex and the dichotomy of аndrogyne:
Two faces of women in the literary tradition ...................................................................................... 109
Olha Novyk. Traditional motifs and characters in Yakiv Schoholev’s texts:
Manifestations of tradition .................................................................................................................. 115
CHRONICLES
The 14th philological seminar ............................................................................................................ 114
International Scientific Conference “Sea motifs and symbols in fiction” ....................................... 123
OUR PRESENTATIONS ............................................................................. 54, 122, 124
SUMMARIES ............................................................................................................. 127
CONTENTS ................................................................................................................ 128
BOOK GRAPHICS .................................................................................. 3rd cover page
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| id | nasplib_isofts_kiev_ua-123456789-142439 |
| institution | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| issn | 0236-1477 |
| language | English |
| last_indexed | 2025-12-07T17:28:33Z |
| publishDate | 2010 |
| publisher | Інститут літератури ім. Т.Г. Шевченка НАН України |
| record_format | dspace |
| spelling | 2018-10-08T16:21:38Z 2018-10-08T16:21:38Z 2010 Сontents // Слово і Час. — 2010. — № 8. — С. 128. — англ. 0236-1477 https://nasplib.isofts.kiev.ua/handle/123456789/142439 en Інститут літератури ім. Т.Г. Шевченка НАН України Слово і Час Сontents Article published earlier |
| spellingShingle | Сontents |
| title | Сontents |
| title_full | Сontents |
| title_fullStr | Сontents |
| title_full_unstemmed | Сontents |
| title_short | Сontents |
| title_sort | сontents |
| url | https://nasplib.isofts.kiev.ua/handle/123456789/142439 |