Сontents
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| Опубліковано в: : | Слово і Час |
|---|---|
| Дата: | 2011 |
| Формат: | Стаття |
| Мова: | Англійська |
| Опубліковано: |
Інститут літератури ім. Т.Г. Шевченка НАН України
2011
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| Онлайн доступ: | https://nasplib.isofts.kiev.ua/handle/123456789/144213 |
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| Назва журналу: | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| Цитувати: | Сontents // Слово і Час. — 2011. — № 7. — С. 128. — англ. |
Репозитарії
Digital Library of Periodicals of National Academy of Sciences of Ukraine| _version_ | 1859479398919438336 |
|---|---|
| citation_txt | Сontents // Слово і Час. — 2011. — № 7. — С. 128. — англ. |
| collection | DSpace DC |
| container_title | Слово і Час |
| first_indexed | 2025-11-24T11:44:36Z |
| format | Article |
| fulltext |
Слово і Час. 2011 • №7128
CONTENTS
DATES
Ivan Dziuba. The poet with a philosophical way of thinking: Serhiy Krymsky ............................................4
Yaroslav Holoborodko. Ivan Dziuba’s “spiritual autobahns” ........................................................................15
DISCUSSION
Vitaliy Donchyk. Artistic methods cannot be imposed by force .................................................................20
Volodymyr Panchenko. The Ukrainian version of socialist realism ..............................................................23
AD FONTES!
Maria Bochko. Fedir Koval as a popularizer of Ukrainian folklore and
professional culture in the West .......................................................................................................................27
Miroslav Daniš. Ivan Franko’s Byzantium and Byzantine studies ...............................................................33
Lidiya Verbytska. Natural and human common world in the didactic poetry of Ivan Franko
(“My Emerald” and “The Old World and the New World”) ...........................................................................39
WORLD LITERATURE
Nataliya Ovcharenko. Syncretism of art systems (based on Canadian fiction) ..........................................50
Ihor Orzhytsky. César Vallejo: The national identity of Peruvian poetic avant-gardism ...........................63
TRANSLATION STUDIES
Anatoliy Moysiyenko. Byelorussian sonnets and their Ukrainian translations ...........................................70
Serhiy Tkachenko. The role of temporal and spatial aspects in translation
(based on the interpretations of one of Arthur Rimbaud’s poems in different languages) ..........................77
DÉBUT
Oksana Utrisko. In Ivan Franko’s magic circle: The poet Oles Babiy ..........................................................83
Halyna Sokol. The comeback of a forgotten woman writer: Halyna Zhurba .............................................90
THE WRITTEN REMAINS
Oleh Rarytsky. Volodymyr Pidpaly’s editorial activity in epistolary reminiscences of his contemporaries ....95
A LETTER TO THE EDITOR
Tetiana Tretiachenko. On the eve of the 170th anniversary of Mykhaylo Drahomanov ..........................103
REVIEWS
Iryna Konstankevych. Polish-Ukrainian dialogue ......................................................................................104
Maria Danylevych, Lesia Vashkiv. Taras Shevchenko and Byelorussian literature ................................106
Oksana Pryhodko. Literature as oxymoron .................................................................................................109
Oleksandr Halych. Contemporary Ukrainian drama in Oksana Kohut’s reception .................................114
Tetiana Potnitseva. American modernism from a (post)modernist point of view ....................................117
CHRONICLE
V.L. “The Coronation of the Word” – 2011 ..................................................................................................121
Olha Orlova. The 10th Gogol Readings in Poltava .......................................................................................121
Nazar Fedorak. Conference “Markiyan Shashkevych and the Era of Ivan Franko” ................................123
Ninel Zavertaliuk, Nataliya Oliynyk. The works of Valeryan Pidmohylny against a backdrop
of the “Executed Renaissance” .......................................................................................................................123
OUR PRESENTATIONS ...................................................................... 49, 69, 105, 120, 125
OBITUARY
Vasyl Borodin ..............................................................................................................................................126
SUMMARIES ......................................................................................................................127
CONTENTS ........................................................................................................................128
BOOK GRAPHICS .......................................................................................... 3rd cover page
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| id | nasplib_isofts_kiev_ua-123456789-144213 |
| institution | Digital Library of Periodicals of National Academy of Sciences of Ukraine |
| issn | 0236-1477 |
| language | English |
| last_indexed | 2025-11-24T11:44:36Z |
| publishDate | 2011 |
| publisher | Інститут літератури ім. Т.Г. Шевченка НАН України |
| record_format | dspace |
| spelling | 2018-12-08T18:12:39Z 2018-12-08T18:12:39Z 2011 Сontents // Слово і Час. — 2011. — № 7. — С. 128. — англ. 0236-1477 https://nasplib.isofts.kiev.ua/handle/123456789/144213 en Інститут літератури ім. Т.Г. Шевченка НАН України Слово і Час Сontents Article published earlier |
| spellingShingle | Сontents |
| title | Сontents |
| title_full | Сontents |
| title_fullStr | Сontents |
| title_full_unstemmed | Сontents |
| title_short | Сontents |
| title_sort | сontents |
| url | https://nasplib.isofts.kiev.ua/handle/123456789/144213 |