Інтер’єр в архітектурі культурного комплексу Трипілля-Кукутень (проблеми вивчення, інтерпретації та реконструкції)

• Published in: Археологія і давня історія України
• Date: 2020
• ISSN: 2227-4952
• Main Author: Бурдо, Н.Б.
• Format: Article
• Language: Ukrainian
• Published: Інститут археології НАН України 2020
• Subjects: Статті
• Online Access: https://nasplib.isofts.kiev.ua/handle/123456789/187385
• Journal Title: Digital Library of Periodicals of National Academy of Sciences of Ukraine
• Cite this: Інтер’єр в архітектурі культурного комплексу Трипілля-Кукутень (проблеми вивчення, інтерпретації та реконструкції) / Н.Б. Бурдо // Археологія і давня історія України: Зб. наук. пр. — К.: ІА НАН України, 2020. — Вип. 4 (37). — С. 173-181. — Бібліогр.: 27 назв. — укр.

У статті йдеться про основні проблеми вивчення, інтерпретації й реконструкції інтер’єру в архітектурі Трипілля-Кукутені. The interior of Trypillian houses is not as available
 object as the interior of the folk architecture to which it
 actually belongs. The necessary steps to study the interior
 of Copper Age houses from archeological sites are:
 • field research and advanced fixation in field documentation
 of detected interior details / remains;
 • interpretation of discovered archaeological data;
 • reconstruction of identified structural elements —
 the ultimate goal of the study which can be carried out
 on the basis of the interpretation of archeological objects
 using the method of study of buildings used by
 ethnology.
 It is necessary to take into account the sacral load
 of all elements of the dwelling, as well as the factor of
 transformation of them in the final stage of the settlement’s
 life into a ritual object. Formally, the following
 clay interior details can be distinguished: I — various
 enhancements, including rectangular and round elevations,
 side elevations, cruciform elevations, and catwalks;
 II — special clay storage tanks; III — furnaces.
 The analysis of the interior of Cucuteni—Trypillya
 dwellings shows the unity of the architectural tradition
 from the early up to the final stages. The origins
 of these traditions are related to the interior and ritual
 sphere of dwellings and settlements discovered in the
 oldest Neolithic Cultures of Europe. Clay interior details
 are characteristic of the architecture of the neoneolithic
 crops of South-Eastern Europe. They are especially
 often recorded in buildings that were burned in
 ritual fires. Clay interior designs including in the form
 of rectangular and circular elevations are recorded in
 buildings of such cultures as Hamangia III, Boyan, Vedastra,
 different variants and periods of Vinca Culture.
 The rituals, similar to Trypillian ones, associated with
 rituals, known in the cultures of Tisza, Kojaderman-
 Karanovo-Gumelnitsa, Selkutsa.