Фольклор у романі Михайла Стельмаха "Кров людська - не водиця"

Famous Ukrainian writer of the 20th Century M. Stelmakh had a great interest to Ukrainian folklore not only at the theoretical level. He was working in the Institute of Art Studies, Folklore, and Ethnography as a researcher, which led him to a better understanding of folk’s spirits. He not only wide...

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Veröffentlicht in:Народна творчість та етнографія
Datum:2005
1. Verfasser: Шумада Н.
Format: Artikel
Sprache:Ukrainian
Veröffentlicht: Iнститут мистецтвознавства, фольклористики та етнології iм. М.Т. Рильського НАН України 2005
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Online Zugang:https://nasplib.isofts.kiev.ua/handle/123456789/43081
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Назва журналу:Digital Library of Periodicals of National Academy of Sciences of Ukraine
Zitieren:Фольклор у романі Михайла Стельмаха "Кров людська - не водиця" / Н. Шумада // Народна творчість та етнографія. — 2005. — №. 5. — С. 32-39. — Бібліогр.: 12 назв. — укр.

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Digital Library of Periodicals of National Academy of Sciences of Ukraine
Beschreibung
Zusammenfassung:Famous Ukrainian writer of the 20th Century M. Stelmakh had a great interest to Ukrainian folklore not only at the theoretical level. He was working in the Institute of Art Studies, Folklore, and Ethnography as a researcher, which led him to a better understanding of folk’s spirits. He not only widely used folk motifs in his poetry and novels, but created a special atmosphere within his art with the help of folk texts. In the novel "Human’s Blood is not Water" folklore became an important component, which serves a purpose of building up a Ukrainian literary language. The symbolic language, folk poetic forms, folk images serve the purpose in the novel to create a philosophical life approach based on the basic understandings of the human values hidden in a folk lyric songs, humor, epics, legends.
ISSN:0130-6936