Володимир Сосюра як баладист: до проблеми традиції і новаторства

• Published in: Культура народов Причерноморья
• Date: 2014
• ISSN: 1562-0808
• Main Author: Вишняк, М.Я.
• Format: Article
• Language: Ukrainian
• Published: Кримський науковий центр НАН України і МОН України 2014
• Subjects: Вопросы духовной культуры – ФИЛОЛОГИЧЕСКИЕ НАУКИ
• Online Access: https://nasplib.isofts.kiev.ua/handle/123456789/93450
• Journal Title: Digital Library of Periodicals of National Academy of Sciences of Ukraine
• Cite this: Володимир Сосюра як баладист: до проблеми традиції і новаторства / М.Я. Вишняк // Культура народов Причерноморья. — 2014. — № 277. — С. 146-149. — Бібліогр.: 13 назв. — укр.

У статті простежується, роль і місце жанру балади в повоєнній творчості В.М.Сосюри в
 літературному контексті, ії різновиди та художньо-індивідуальна специфіка. В статье прослеживается развитие, роль и место жанра баллады в послевоенном
 творчестве В. М. Сосюры в литературном контексте, ее разновидность и художественно-
 индивидуальная специфика. The article is dedicated to creativity of Vladimir Sosyura, Ukrainian Iyric poet, whose work is
 characterized by variety of genres. His particular attention is focused on the use of ballad genre, which he used
 at the beginning of his career, as weel as at the moments of hardships during World War II. But the poet worked
 particularly active in this genre during the postwar years. Using the ballad tradition of Ukrainian romantic poet
 and Taras Shevcenko and his own experience, Sosyura was able to create his own works of this genre that
 characterized by specific innovation both in form and in content. Their feature – a fusion of lyrical self-interest
 with the public, the assertion of universal ideals for which he sacrifices himself. Sosyura’s ballads are varied in
 meaningfulness. They can be divided into two main groups – the historical and heroic and social sound. Story
 plot of these works are usually built on general public events in which the hero is in the moment of the greatest
 emotional stress. Ballads of the first group created by the poet during the Civil World War II. Ballads of the
 second group are traditional, folk songs symbols and elements of fiction are used there. They are more romantic.
 These include ballads about the exploits of people in the days of sorrow and their heroic deeds in the days of
 peace. The basis of the last ones is facts of life. Despite the tragedy of the represented, Sosyura’s ballads include
 optimistic tone. They share life truthfulness, coupled with the emotional narrative.