Convertion Principles of Cinemareception after the Classic Standard: Specific of V. Bortko's Filmtext "Taras Bul'ba” von N. Nikoriak

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Postredaction of the Slassics: Realization of Chichikov von O. Chervinska

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The Creative Work of M. Petrenko of the Ukrainian Poetry von O. Barabanova

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The Carnival Topography of the Other in the Novel of F. C. Delius "The Pears of Ribbek” von N. Vakhovska

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Portraying of Man as Artistic Dimension of Literary Trend von K. Sizova

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The Principles of Folklorism in I. S. Turgenev's Artistic System von V. Smirnov

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Mifologema of "the New Person” in the Ukrainian Dramatic Art of 20th years of the XX-th century von V. Shkola

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The Characteristics of the Polyphonic Coexistence of Voices-Ideologies in Biblical Literature von R. Biliashevych

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Isomorphism of Spatial Models and Stylistics in J. Joyce's Novels "Ulysses” and "Finnegans Wake” von T. Mitrousova

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Image of Ukraine and Ukrainians in John Steinbeck's Journalist and Fictional Consciousness von O. Nychko

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The Character of an Ogre as the Archetypical Inferno Symbol in the French Literature of the XX century von N. Saidi

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Macrodialogue of Albert Camus's Novel "The Stranger" von V. Silin

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W. Golding's "Darkness Visible”: Peculiarities in Range of Problems and Poetics von O. Shapoval

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Multicultural Aspect in Gunter Grass's novel "The Tin Drum" von S. Varetska

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Twentieth-Century Austrian Short Stories: the Multicultural Phenomenon von I. Zymomria

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The Problem "Literary Criticism and Multiculturalism”: Methodological and Theoretical Reflection (Article II) von I. Kozlyk

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Multiculturalism as the Problem of Contemporary Literary Studies von M. Lanovyk

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The Theme of Disintegration as a Fermentative Part of the Modern Literary Process: Chinua Achebe's Experience von O. Shtaniuk

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Intertextuality as the Feature of Valerij Shevchuk's Manner von N. Kozachuk

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Interest Towards "The Other” as a Replay of Cultural Heterogeneity Idea: "Verdi: Novel of Opera” vy Franz Werfel and "Verdi Renaissance” von S. Matsenka

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