Maksym Rylskyi and the Opera Ukrainization von M. Strikha

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Экструзионные сцинтилляционные стрипы для эксперимента OPERA von Гринев, Б.В., Мельничук, С.В., Сенчишин, В.Г., Ададуров, А.Ф., Лебедев, В.Н., Хлапова, Н.П.

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Formation of Opera School of the M. Hlinka Dnipropetrovsk Conservatoire von A. Tuliantsev

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Chorus Functions in Opera Dramaturgy: Source Study Discourse von O. Letychevska

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The Creativity of Modern Choreography (National Opera Solist Volodymyr Chupryn) von Ye. Kovalenko

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Serge Lifar: From the Kyiv Central Studio Till the Paris Opera von M. Kurinna

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Between music and politics: Verdi's Opera in Ukraine (XIX c.) von M. Varvartsev

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Maksym Rylskyi's Main and Additional Witnesses at the Opera of ULU 92-95 von M. Naienko

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Restoration and Activity of the Kyiv National Academic Theatre of Opera and Ballet named after T. Shevchenko in 1944-45 von O. Masliuk

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"The Ballad of War" by Oleksandr Bilash as a National Example of the Mono-Opera Genre von I. Bohdanova-Dashak

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The Don Quixote Ballet by Ludwig Minkus on the Stage of the National Opera of Ukraine: More Than 90 Years of History von O. Verkhovenko

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Improvement of extraction room stability during the underground mining opera-tions in the Kryvyi Rih iron-ore basin von V. O. Kalinichenko, S. V. Pysmennyi, M. B. Fedko, O. V. Kalinichenko

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Premiere of M. Ravel's Ballet Dafnis and Chloia in the National Opera of Ukraine: a Modern Interpretation of the Ancient Plot von Ye. Kovalenko

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Operas of the Austrian theatre in Lviv (on a base of publications in German-language city "Galicia" newspaper, 1840–1841 von A. Ilnytska, N. Kosaniak

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Odesa Overture and Epilogue "Opera SVU": the History of the Bolshevik Scenario to Destroy the Intellectual Elite in the USSR in 1920–1930s von V. Levchenko

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Boris Ten, A Translator for Opera Performances (Exemplified by His Rendering into Ukrainian the Libretto for Giuseppe Verdi's Un ballo in maschera) von M. Strikha

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Interest Towards "The Other” as a Replay of Cultural Heterogeneity Idea: "Verdi: Novel of Opera” vy Franz Werfel and "Verdi Renaissance” von S. Matsenka

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Максим Рильський та «українізація» опери von Стріха, М.

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“Лівія Квінтілла” – опера Зигмунта Носковського von Зезюля, Г.

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Основні і додаткові «свідчення» Максима Рильського в «опері СВУ» von Наєнко, М.

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