Interpretation of W. S. Maughm's creative personality in the Ukrainian sociocultural space by R. P. Chornii

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Methodological Aspect of Concept Reception in a Publicistic Text by Ye. Vasylyk

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Conceptualization versus methodologization in the project of deconstruction by V. M. Lozynskyi

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A. Potebnya and A. Veselovsky: Theoretical and Historical Interpretation of Epithet by O. S. Volkovynskyi

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Reception of Mythological Basis of the Latest Epic Thinking by I. M. Zvarych

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Theoretical History of Genre (Problem of Concepts) by B. P. Ivanjuk

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Early Ukrainian Poetics as a Sign of Literary Self-Perception by H. M. Syvokin

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Aesopian Language in Volodymyr Svidizinsky's Poetry by E. S. Solovei

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Poetical Eruption as Discernment by A. O. Tkachenko

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Ludwik Morstin's Comedy "Apologia for Xanthippe” as Socrates's Apologia by O. V. Boichenko

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Turgenev in the Appraisal of the Czech Critics F. Shalda and A. Novak by M. Zagradka

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L'viv Dialogues with Polish and Czech Cultures by V. T. Motornyi, A. Tatarenko

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Image of a German in Russian Literature by L. Mjuller

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West-European Ukrainian Philology at the Beginning of the 19th Century by D. S. Nalyvaiko

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Paul Celan and French Symbolism by P. V. Rykhlo

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About ihe Dynamics of Realistic Art on the Boundary of Centuries by Ye. Krutikova

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A. Bely's Perception of Pushkin by T. N. Nikolesku

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Josef Shweik from Boishte Street by S. V. Nikolskij

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About the "Prague Irony” and Prague Gibers by H. M. Syvachenko

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Motivs of "Heaven Enclosure” in "Our Time Hero" by V. A. Smirnov

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