The Moral and Aesthetic in the Art World of "The Overcoat” by Gogol by A. O. Panich

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The Features of a Typological Generality of Criticism of Gogol and his Artworks by O. M. Tsivkach

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Gogol and Herzen in 1940-s ("Selected Passages from Correspondence with his Friends” and "From the Other Shore”) by E. I. Annenkova

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The Gogolian Motifs at Franz Kafka by Ju. A. Mileshin

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About the Features of a Fantasy in "Evenings on a Farm Near Dikanka" by N. Gogol by V. B. Musij

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The Problem of Dating of a Poem "Sashka” by M. Lermontov by L. A. Smagljuk

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The Romantic Tradition in the Works of M. Saltykov-Shchedrin in 1840-s up to the Beginning of 1860-s by K. A. Titjanin

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"Petty bourgeoises” of M. Gorky in the Context of Ideological Struggle of the Beginning of XX-th Century by L. M. Borisova

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A Question of the Concept of "Philosophical Prose" by A. E. Eremeev

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The Genre System of Russian Epic Prose of 1880-s–1890-s by V. A. Gusev

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The Concept and Composition of the Book "Nights and days" by V. Bryusov by S. P. Ilev

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The Feuilleton and Late Prose of V. Kataev (the Inner Continuity) by A. S. Volkovinskij

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The Motif of Universe in Lyrics of the First Years of Revolution by N. V. Beljaeva

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The Parallels Between Russian and Czech Literatures, their Features and Proximity by M. Zagradka

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About the Creative Contact of P. Slaveykov and M. Lermontov's Poetry by M. Gurgulova

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Comparison, Metaphor and Metonymy in Translations of Ion Drutse by A. G. Chernova

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"The Tale of Igor's Campaign” as Symbol of Spiritual Unification of People (on Materials of the Nizhyn Researches about "The Tale”) by F. T. Evseev

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Tyutchev and Shcherbina: Motifs of Antiquity by A. S. Kogan

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The Dionysian and the Apollonian in I. Annensky's Drama ("Famira the Citharist”) by L. M. Borisova

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Antiquity and Crimea in the Poetry of Vsevolod Rozhdestvensky by M. V. Rozhdestvenskaja

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