Influence of a U-shaped magnetic core of an inductor with two coils on eddy currents of thin-walled non-magnetic metal plates in process of magneto-pulsed treatment by A. P. Rashchepkin, I. P. Kondratenko, O. M. Karlov, R. S. Kryshchuk

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The archetype of the mother in Vasyl Symonenko's oeuvre by L. Senyk

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Vasyl Symonenko: the text by A. Tkachenko, D. Tkachenko

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Metropolitan Veliamyn Rutsky's "Sowita wina" ("The Double Guilt") in the history of polemic literature by R. Tkachuk

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Fiction writing of the second half of the 19th century and the national identity by N. Boiko

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A fragment on women in "Praying" of Daniel the Immured by P. Bilous, O. Shcherbak

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Between religion and the magic of words: folk prayers in modern Slavic studies by Polish scholars by I. Hunchyk

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Pointillism, minimalism etc... (reviewing debut collections of poetry of the recent time) by N. Havryliuk

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Volodymyr and Rosalia Vynnychenkos: Family Correspondence (1921 – 1949) by N. Myronets

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The Third International Scientific Pavlo Zahrebelny Conference by N. Zavertaliuk, N. Oliinyk

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Pavel Vezinov in Bulgarian literature (to the 100th anniversary of the writer) by O. Saikovska

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Mathematical modeling and analysis of electromagnetic processes in the thy¬ristor current regulator system - special transformer of the installation of production of basalt ultrath... by V. P. Stiazhkin, P. P. Podeiko

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The O. Biletsky Prize Awards by A. Shpytal

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We will miss Sverstiuk much by E. Solovei

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The Carpathian junction: on ethnocultural borderlines (Leopold von Sacher-Masoch, Stanisław Vincenz) by Yu. Barabash

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Comparative aspects of the formation of expressionism in Ukrainian literature: short stories of V. Vynnychenko and short prose of L. Andreyev by O. Braiko

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Geo Shkurupiy's novel "Miss Adrienne" as a parody by O. Solovei

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Intellectualism in Vira Vovk's novel "The Pilgrim" by Yu. Hryhorchuk

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The correlative model "author - being" in literary praxis of Olha Mak (to the 100th anniversary of the writer's birth) by V. Matsko

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Short story at the turn of the 20th century: traditions of genre or destruction of the canon? by O. Kolinko

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